I went to hear Elina Garanca’s New York recital debut on Saturday and I wrote about it for Bachtrack.
Elina Garanča can always be counted on
for a coolly polished performance. Her silvery mezzo is beautiful, even
throughout her range, and impeccably on pitch. She is musically
tasteful, and her sound has grown in recent years. But something often
seems to be missing. While she’s too accomplished to call bland, her
performances rarely show evidence of a beating heart. On Saturday night,
her Carnegie Hall recital debut kept in character, showing an excellent
singer rather than an effective communicator.
You can read the rest here. For all I know Elina Garanca is the nicest, warmest person in the universe, but she still has trouble portraying humanity onstage. This recital was very well-prepared and she really was trying, but the effort was all too obvious.
I’ll be going to Giulio Cesare at the Met at the end of this week.